THE VERY BEST Guitar Effects Processor THE TRICK To Great Guitar Tone
Pure center stopping distortion. Those had been what used in a guitar player magazine advert for the Artwork sgx 2000 that initial caught my interest. The most important factor I discovered from owning one was how exactly to eq my sound to obtain great guitar tone. I understand that appears like I'm blowing my own trumpet, and everyone offers their very own idea of what a great guitar sound is, so let's just say I've discovered a couple of things that hopefully you might find useful. When it comes to direct recording, I've always attempted to emulate the audio one hears when standing up a good distance from the speakers, instead of the gritty sound one gets when the amplifier loudspeaker is facing you straight. I almost always find yourself adding more bass to my guitar audio. Not an excessive amount of, but just enough to circular out the sound. A guitar audio can actually handle quite a fair quantity of extra bass before it gets overbearing.
The trick here's to offset it with the right quantity of upper midrange. The frequency I generally like to use is 4 khz. For bass, 100 Hz is normally fine, but it depends on the amplifier and loudspeaker being modelled as well. Guitar results processors and amplifier modellers I've used successfully in the studio. 1. The Art SGX 2000 (No longer made). This acquired a valve preamp section which was configured in different methods to produce various noises, in addition to a solid condition distortion. This had exceptional effects and eq choices. The closest thing obtainable nowadays is the Rocktron Prophecy 2 and the Rocktron voodoo valve. 2. The Sansamp classic. This in combination with the Art SGX 2000 provided me probably the most amazing rock guitar sounds. 3. The Roland GP 100. The first guitar results processor from Roland to feature their "Composite Object Sound Modelling", or COSM for short. This was a completely digital unit, and even though the effects where great, the amp versions left a lot to be desired.
The newest COSM guitar preamps are mostly created by Boss, a subsidiary of Roland. 4. The Behringer V-Amp. This little unit surprised me with the quality of some of its tones, specifically for immediate recording and live straight into the mixing desk. The secret was to utilize the right speaker cabinet model, as just a few where good. 5. The Boss GT-6. This multi-effects processor initially disappointed me, but after really diving in and exploring every option available, I was eventually able to emulate a multitude of guitar amps quite convincingly as well as find a guitar audio to call my very own. If you one, the technique is to use the booster pedal effect to improve the tone of some amps as well as not be afraid to eq the hell out of it when you have to. 6. The Boss GT-Pro. This, combined with the GT 10 floor unit may be the latest COSM processor, and is normally a rackmountable guitar rig for the documenting studio. While I've utilized other guitar processors than the ones mentioned above, I've excluded the ones that really didn't have what must be done.
There are also a lot of guitar processors I've never used before which may be excellent, but I can't really say anything about them until I do. Some more tips whenever using guitar amp modellers. Hardly ever be afraid to get as well radical with the EQ. Sometimes that's what must be done to turn an excellent sound right into a great one. Always have a break when you think you've found the audio you want, and come back later to see whether it's still sounding great. Check the sound with and without earphones. What sounds great on headphones can sometimes be a bit over the top once the studio monitors are utilized. Use a guitar that's got medium to low output. Some processors can't deal with the extremely high result of high gain pickups. I've found that pickups with an impedance of 15K or less work fine. 20K could be too much for several digital processors. Check all gain stages when you can, as well see that no area of the results chain is overloading the next one, or the result. This helps a great deal with the final tone. So what is the best guitar effects processor chip? As generally, this is very subjective. Everyone includes a different taste in guitar sound. What I look for is a thorough EQ section with an option to put something in the effects loop, therefore I can truly add to the machine afterwards. As I mentioned previous, the very best rock guitar sound I ever got was using among Tech 21's classic Sansamp pedals in the effects loop of my Art SGX 2000. Seeing as they don't really make the Art anymore, I've found other options. guitar wiring diagrams coil split and pickups could make a main difference aswell. At the minute I take advantage of the Boss GT-Pro, and I've got some excellent sounds from it, however, not without tweaking and experimentation.
